Not long ago, WIENERLAND director and creator Jan Woletz met sound designer Horst Schnattler (CEO of the Klangkulisse). After enjoying their coffee and talking about our project, Horst watched the unfinished version of the teaser for the first time. Let's say he watched a very, very raw version.
But he definitely must have liked something about it... because after hearing Jan's ideas for the finished version he agreed on doing the sound design! And as if that wasn't enough, he wrote an article about the project and his work as a sound designer for the X-Rockz Magazine:
But he definitely must have liked something about it... because after hearing Jan's ideas for the finished version he agreed on doing the sound design! And as if that wasn't enough, he wrote an article about the project and his work as a sound designer for the X-Rockz Magazine:
Gruben has an ambiguous relationship to chickens, shoots first and asks questions later. Wondering why I'm talking about the storyline? The storyline is the content, the different noises and sounds are the form a sound designer shapes.
A successful film sound designer must like films, have some sense for rhythm and good ideas for the easy implementation of the sound atmosphere. [...] The director will be thankful if the acoustic scenery can be extended with reasonable effort.
Read the whole article here:
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